Monday, 18 November 2013

Some of the effects of technology on the English language

Blog post 1:
  • In the first blog, the writer of the article; John Humphrys, takes a stand against texting because he thinks that it is destroying the English language; he says '...pillaging our punctuation; savaging our sentences; raping our vocabulary. And they must be stopped.' He implies that those who text are similar to savage and primitive barbarians or tribal people with the use of words such as 'pillaging', 'savaging' and 'raping' which has connotations with battle, a medieval setting etc.
Blog post 2:
  • In the second article, the writer; John Sutherland, also does not seem vaguely pleased about the uprising of the text message, etc. He mocks the (what may be considered as a) form of communication when he says 'It's writing on Kleenex. One blow, then throw. Snot-talk, if one wants to get nasty about it.' The writer questions why texting has taken off so explosively in the article.
Blog post 3:
  • The third article; written by David Crystal, highlights some of the good points of texting and supports the plight of texting and so is quite opposed to the first two articles. He says; 'There is no point in paying to send a message if it breaks so many rules that it ceases to be intelligible. When messages are longer, containing more information, the amount of standard orthography increases.'

  • Words have been brought about by the internet such as 'Rick-rolling', which means when someone expects to see a certain video when clicking on a link, however, a video of Rick Astley's 'Never gonna' give you up' plays alternatively.

  • By many articles and their writers, texting is often called '...penmanship for the illiterate...'.

  • I think that text messaging and messaging over the internet has allowed the more primitive, spoken language to be put into use as texting etc. is much more similar to spoken discourse as opposed to written discourse. Writing is slow and deliberate, whilst spoken discourse is very subconscious and rapid (as is texting and instant messaging). Therefore, texting could almost be compared to a new kind of talking which is developing it's own rules and conventions. Some words used in modern language via text can have hidden meanings. For example, 'LOL' is not always used to express joy or laughter, it can be used simply to signal basic empathy between the two people involved in the conversation which eases tension and creates a feel of equality for the speakers. Therefore, rather than having a meaning, it can be used to convey a feeling or an attitude.There are always many people banging away on their smartphones who are fluently using a code/language separate from the one they use in actual writing, and there is no evidence that texting is ruining composition skills. Although text messaging may be  very useful, I personally do not see the point in many of the abbreviations which are used and I feel that it is actually the older generations that use text speak and abbreviations more prominently. I feel that younger generations have adapted texting and often use full written discourse in their texts because much of what is seen as text talk does not really make sense, so it is far easier to get your point across using regular written discourse (from my personal experience, this is often the case). 

Wednesday, 16 October 2013

Blog analysis of blog on relations between Obama and Pope Francis

This blog is comes from the telegraph and discusses the relations between Barrack Obama and Pope Francis. The blog post begins with a rhetorical question: '...they both get on really well?' The writer then goes on to use what seems to be a filler or language that is from their particular dialect when they say: 'That's sort of just happened on a global scale.' The writer then uses an ellipsis which gives the impression to the reader that it has a more informal, spoken feel which therefore makes the reader feel more comfortable and as if they are being spoken to whilst reading the piece (as opposed to have a formal, written feel) when the writer puts 'This is from the man who brands his opponents as extremists and refuses to negotiate with anyone on anything...'.

The writer then begins the next paragraph with an exclamatory sentence which is what seems like a stark contrast to what the prior paragraph was like when the writer puts: 'What the heck is going on here?!'. In addition to the informal feel because of the spoken feel that the writing has, the writer shortens words such as 'The Prez probably...' (meaning the president) as well as '...Catholicism is incompatible with Obamamania...'. The writer also adds a humorous feel to the blog post by using fairly dry humour. For example, the writer says: '...but the tone implies that Obama believes he's found a new political bedfellow.'

Monday, 14 October 2013

Travel writing analysis

The writer heavily fixes the reader's attention to the fact that the jungle is bursting with life; even when the tired travellers are ready to sleep. He continually describes the ants which are pestering him as he tries to sleep as if they are similar to a liquid (in terms of their movement and sheer volume). '...dark ants poured down...'. The writer says this in hope that it will allow the reader to make sense of how many ants there truly were around the author in this situation. This verb also gives the impression that there were so many ants that the amount of them was comparable to a constantly flowing stream. The writer yet again compares the ants to a liquid when he writes '...I brushed the first wave off...'. This constant comparison allows the reader to deduce that the ants are difficult to get rid of (as is water if one falls into it), as well as that there seems to be a never ending flow of the elephant ants with '...massive pincers...'.

Features of travel writing


  • Depicts personal experiences of travel.

  • Travel writing is often informative and entertaining.

  • It is often used to inform a reader about a place.
Stylistic features of good travel writing;

- It focuses on a specific place and provides the reader with a unique view.

- It has a central theme.

- It is written in the first person.

- It sometimes directly addresses the reader.

- It has an interesting opening paragraph which hooks the reader.

- It aims to involve the reader emotionally through senses.

- Use of exaggeration for effect.

- It can have a spoken feel to it.

Features of a dramatic monologue


  • The title is fairly significant (may be ambiguous or humorous).

  • Stage directions are used in dramatic monologues to set the scene.

  • They often have a narrator (the author must create an individual 'voice' for the narrator.

  • The syntax in a dramatic monologue should reflect the style of speech.

  • Typical language devices used in dramatic monologues could include;
-Verbal fillers

- Personal idiolect expressions

- Intensifiers

- Euphemisms

- Deliberately vague language

- Unfinished utterances

- Deictic references

- Tag questions

- Contractions

Blog Features


  • Can be very ranged in terms of subject; the audience and purpose of each blog vary greatly.

  • Can be used to entertain, inform, persuade, advise, etc. They are multi modal.

  • Blogs have a wide audience - each blog will have a specific audience that it is directed at.

  • Blogs can vary greatly in style - they can be picture or text, formal or informal etc.

  • The reader is encouraged to interact with the writer as there are comment sections and the ability to share the post.

  • Can often have a spoken feel dependent on the style of the blog itself.

Sunday, 15 September 2013

Terminology


  • Phrases
  • Clauses
  • Sentence structure
  • Prepositions
  • Conjunctions
  • Determiners
  • Word classes
  • Functions of language

Thursday, 5 September 2013

'The Safety Fire - Mouth Of Swords' review






 I find this review of The Safety Fire's new album particularly interesting as it is very well written; although it is short, it is very direct and to the point. Throughout this review, the writer consistently uses impressive vocabulary; utilising words such as '...esoteric...'. He also uses a lexical set in this review when he mentions '...thundering low-end riffs...' and '...lightning fast tapping...'.

 This review comes from a magazine about guitars/guitar playing and so there is plenty of jargon used throughout this review which only people educated in music will understand such as '...prog-metallers...''...arpeggios...' and '...esoteric harmonics...'.

I also found that the writer uses juxtapositions in this review to describe the unique sound of The Safety Fire. He writes '...finger-breaking...', '...thundering...' and '...lightning fast...'; all of which are very powerful adjectives and seem quite applicable to use when describing this band. However, to oppose these strong adjectives, the writer uses soft, gentle words to describe other sections of the bands' songs which also perfectly describes their sound. For example, he also writes '...delicate chordal parts...' and '...esoteric harmonics...'; making the bands' sound seem quite mysterious and leaving the reader wanting to hear the band itself.
 
 The writer also constantly compliments the bands' diversity in terms of style which I find interesting as it is surfaces that the reviewer is surprised by the mash of genres. He says, 'It could be a mess... but everything finds its place.'